DREAM THEATER: Second 'The Spirit Carries On' Episode Posted Online

April 27, 2011

The second in a three-part series of webisodes in which progressive metal giants DREAM THEATER share with their fans some of the intense process, along with the musical joy, that went into choosing a new drummer can be viewed below.

A little more than a month after original drummer Mike Portnoy's sudden departure from DREAM THEATER, the band held three days of auditions in New York City. Over an amazing and productive three-day period, the band played, jammed and spoke candidly with seven of the world's greatest drummers, learning about them musically, personally and professionally, and assessing the fit of each drummer's incredible chops with the band's trademark prog-rock sound.

The members of DREAM THEATER have been extremely sensitive to the fact that this is not only a monumental decision in their own lives, but also a critical moment in the lives of their fans around the world. "The departure of our lifelong bandmate and friend was an unexpected and truly heartbreaking blow," says guitarist John Petrucci. "The fact that as a result of that event we'd be introduced to seven infinitely capable and uniquely talented drummers was heartening."

The following seven drummers took part in the DREAM THEATER audition process:

* Aquiles Priester (age 39) (ANGRA, PAUL DI'ANNO)
* Peter Wildoer (age 36) (DARKANE)
* Marco Minnemann (age 40) (KREATOR, NECROPHAGIST, EPHEL DUATH, JOE SATRIANI)
* Virgil Donati (age 52) (PLANET X, SEVEN THE HARDWAY)
* Derek Roddy (age 38) (HATE ETERNAL, NILE, TODAY IS THE DAY)
* Mike Mangini (age 48) (STEVE VAI, EXTREME, ANNIHILATOR)
* Thomas Lang (age 43) (JOHN WETTON, ROBERT FRIPP, GLENN HUGHES)

Commented Peter Wildoer: "My audition started with two jams where we set the levels for in ears and just felt each other out — musically, that is. ;-) After that, we went through the three songs they sent me. I guess you'll get to know what songs it was on the next episode of the DREAM THEATER video. At last, they wanted to try some new ideas. This was HAAAAAAAAARD! The ideas were in weird odd times and not one bar with the same meter. Very cool ideas, and I got my head around it so and so after a while. If those ideas end up on the new DREAM THEATER album, it will be PROG! :-) All drummers used the same kit, yes. Auditions were held in New York so no chance to bring my own. We had more than enough time to set up the drums how we wanted them. There was also a drum tech who helped out. I had no problems as I'm used to play rental kits etc when on tour."

Stated Derek Roddy: "We jammed a little while... [It] was cool, but the environment (in-ears, video, etc...) didn't lend itself to a lot of creative moments... Plus the fact that these guys were trying to 'jam' in odd times, etc. Then they threw some riffs at me to see how quickly I could spit out complex stuff. Now this was fun, but at the same time I could tell that they were looking for a dude that will come in and record an entire record in the studio on the spot. I've never wanted to work that way as I believe that if the business (need to put out a record quickly) overtrumps the musical vision (taking time and creating the best you can),then that ultimately directs where the band ends up in the future. I like to sit on riffs for a few days at least and create the best possible part (as opposed to the automatic one). As far as the band being upfront with their fans, I'm sure they want to, but there are some legal issues that needs to be addressed and that takes precedence over what 'can be said or announced.' I'm sure [the fans] can figure it out. And I am certain that they knew who they wanted before these auditions were even thought about. One thing that was said directly to me was, 'Whoever it will be, it's got to be the fans' choice, someone the fans are completely happy with.' I was very busy during that time period... only had a few weeks to learn a 20-minute song, a ballad, and a tech song with 30-part changes within the space of three minutes! Haha."

Episode 2:

Episode 1:

Find more on
  • facebook
  • twitter
  • reddit
  • email

Comments Disclaimer And Information

BLABBERMOUTH.NET uses the Facebook Comments plugin to let people comment on content on the site using their Facebook account. The comments reside on Facebook servers and are not stored on BLABBERMOUTH.NET. To comment on a BLABBERMOUTH.NET story or review, you must be logged in to an active personal account on Facebook. Once you're logged in, you will be able to comment. User comments or postings do not reflect the viewpoint of BLABBERMOUTH.NET and BLABBERMOUTH.NET does not endorse, or guarantee the accuracy of, any user comment. To report spam or any abusive, obscene, defamatory, racist, homophobic or threatening comments, or anything that may violate any applicable laws, use the "Report to Facebook" and "Mark as spam" links that appear next to the comments themselves. To do so, click the downward arrow on the top-right corner of the Facebook comment (the arrow is invisible until you roll over it) and select the appropriate action. You can also send an e-mail to blabbermouthinbox(@)gmail.com with pertinent details. BLABBERMOUTH.NET reserves the right to "hide" comments that may be considered offensive, illegal or inappropriate and to "ban" users that violate the site's Terms Of Service. Hidden comments will still appear to the user and to the user's Facebook friends. If a new comment is published from a "banned" user or contains a blacklisted word, this comment will automatically have limited visibility (the "banned" user's comments will only be visible to the user and the user's Facebook friends).